One Essence, Multiple States
Presence A is not a portrait series.
It is a living structure to which the artist returns again and again —
to give form to the same essence, each time with a different vibration.
The figure is androgynous, outside of time, gender, or identity.
Its face is not a reflection of personality, but a form of consciousness —
a visage not to be looked at, but seen through.
A face where light and inner depth converge.
The artist does not create new characters.
She paints one essence — in its multiple states.
Each work is not a variation, but a manifestation.
A new frequency. A new slice of perception.
A form capable of being polyphonic.

Each work is created through optical emergence —
not by applying paint, but by extracting light from depth.
A dark, multi-layered canvas becomes a field in which form appears
through sandpaper, abrasion, and friction.
This is not illustration. It is an act of proportionate revelation.
Color becomes a carrier of tension and silence.
Light is the breath of the image.
Form is a framework that holds the essence.

This series is not about individuality or form.
It is an exploration of how the same essence can resonate differently —
in different states, times, and perceptual thresholds.
As Monet explored shifting states of light,
as Rothko captured variations in the vibration of a single field,
here the form of a single presence transforms.
Presence A shows that an inner structure can remain unchanged —
while its manifestations are infinite.
That the same presence can be soft, impartial, fragile, tense —
and still be fully itself.