I didn’t want to paint the ammonite as an artifact. I wanted to hear the sound of its silence. Each spiral turn is not a movement forward, but a return. A return to what was before it became anything.
This work is not about the form. It is the form that has not vanished. It remains — and thus asks to be perceived not by the eye, but by the body. As if memory could touch us. Not from within — but from without. A return to what was before it became anything. This work is not about the form. It is the form that has not vanished. It remains — and thus asks to be perceived not by the eye, but by the body. As if memory could touch us. Not from within — but from without.